Peugeot 650b Mixte Restoration

1930's Peugeot Mixte

Spanning several years, my work on this restoration project is now complete.  This 1930’s (or possibly 1940’s) Peugeot came to me like this:

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The frame was pretty dirty, but seemed otherwise intact, with all the brazing in good shape and no serious dings or dents.  It is made with Vitus “Rubis” tubing, a type used on higher end bicycles in the 30’s and 40’s.  As many enthusiasts know, Peugeot serial numbers appeared to follow no rhyme or reason and cannot be used to successfully date older models.  So, the main clues to its provenance are the “H” in front of the serial number, the tubing type, the decals, and the components.  The drive side chain stay has a braze-on for a derailleur spring, but when I purchased the bike, it came with a Simplex Tour de France derailleur, a model which doesn’t use such a spring.  I think this was a later upgrade to the bike, as these derailleurs were first introduced in the late 40’s.

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Peugeot Serial Number

Vitus Rubis tubing

Vitus Rubis tubing

In two previous posts I documented the process used to create a rideable machine out of the original bike plus as many period-specific parts as I could source.  I added 650b wheels, hammered fenders, a Henri Gauthier leather saddle,  a polished aluminum stem, custom levers, and aluminum handlebar with wood grips.  My final quest was to set up the lighting.  I needed a full lighting system, and after going through a number of possible dynamos I finally found a Ducel fork mounted system that was NOS from the 50’s, that looked just about perfect.

 

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Ducel fork mount dynamo

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Ducel headlamp

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Ducel rear lamp

Riding this bike is really fun – it is very comfortable with its super long wheel base and the 650b tires.  It is quite the attention getter and conversation starter and was really rewarding to work on.  Here is the bike now, and it will be up for sale in my new on-line store – coming soon.

Aluvac pedals

Aluvac aluminum pedals

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Very light cottered crankset

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Simplex Tour de France rear Derailleur – working perfectly

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Through the frame cable routing to the Jeay brakes

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Henri Gauthier leather ladies saddle

 

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3 speed Cyclo freewheel

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Pivo stem – highly polished and very pretty

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A 1970’s Raleigh Gran Sport and a 1980’s Viner

Simplex Super LJ and Campagnolo shifters

Simplex Super LJ and Campagnolo shifters

Sometimes I purchase bikes that I intend to disassemble.  Often these are perfectly decent bikes, and sometimes very nice ones, that have suffered from what I call unfortunate upgrades.

Recently, a colleague asked me to help him to try out commuting on vintage steel which will be a nice change from his aluminum hybrid. My plan was to take a nice frame and build it up to his specifications.  I purchased this 1970’s Raleigh Gran Sport that had gone through a few prior iterations, both good and bad.

1970's Raleigh Gran Sport

1970’s Raleigh Gran Sport

The frame is full double butted Reynolds 531, with a Reynolds 531 fork, chrome stays and fork legs, with single eyelets front and rear.  There is lots of room at the brake bridge and fork crown for fenders, even with the 27″ inch wheels it was designed for.  So, converting this to 700c and adding some wider tires and fenders should work well.

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The good upgrades included the Simplex SLJ front derailleur and Campy shifters shown at the top, which would have been upgrades from the ugly plastic Simplex models of this era.  The spacing at the rear drop outs is 127 mm so we will have lots of options to consider for the wheelset – either vintage or modern.  Actually, the bike was mostly intact from its original state except for some no name Aero levers (with shifter cables installed where the brake cables should be – yikes!), and some hideous bar tape.  Because the bike looked kind of bizarre and was a bit dirty, it didn’t sell for much.

At the same time I spotted this 1980’s Viner that was even weirder looking,  It sported some 1970’s suicide brake levers, ugly bar tape (again!) and a Shimano 105 headset shimmed into the head tube.

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After just a bit of cleaning, the frame looks great.  It’s an odd color – it looks black sometimes and brown/purple in low light.  It is built with Columbus Cromor Tubing and is in great condition.  These road frames from the 80’s can make nice conversions to 650c or 650b.  It’s my size – 49 x 51.  However, I am going to resist the urge to build it up for myself and will probably keep it in inventory until someone comes along who wants it built up.

There were a few nice surprises with both of these bikes.  The Raleigh’s components were in great shape, and in addition to the Simplex SLJ and the Campy shifters, the prior owner had added a Brooks Professional Saddle (it would have come standard with a B-17).  The original Stronglight crankset has many miles left on it and has the interesting feature of a built in chain guard.  I may use this crankset for my friend’s build since he’s going to be commuting in his work clothes.  The headset and bottom bracket are also original and very nice and will be re-used.

Brooks Professional Stronglight with chainguard Stronglight Bottom bracket

Sadly, the Viner had most of its original Campagnolo parts stripped off.  Fortunately, though, the crankset and rear derailleur were left undisturbed:

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The Viner also had a good wheelset – Maillard sealed hubs on Weinmann concave rims with stainless steel spokes – 36 front and rear.  That seems like a much more robust wheelset than I would have expected, and the wheels will come in very handy for other projects that may come along.  The bottom bracket fixed cup was in really tight.  It is shown above with my removal tool still attached.  Of course, it did help to finally figure out that the BB was Italian, so the fixed cup goes the OTHER way…

 

Le Cycliste Magazine 1956

Le Cycliste 1956

I recently acquired 3 1956 volumes of the monthly French cycling magazine Le Cycliste.  I don’t know much about this publication, only that it was originally founded by Paul de Vivie, aka Velocio, in the late 1800’s.  Velocio himself, an avid cyclist and competitor, was a champion of derailleur gears as well as small wheeled bicycles.  Unfortunately, he died in 1930, but his cycling buddies carried on publishing the magazine for quite some time thereafter.  Much of my awareness of Velocio was originally gleaned from my avid reading of Bicycle Quarterly, Jan Heine’s publication which has on occasion re-published some of Velocio’s articles from those early days of cycling’s history.

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This particular volume is packed with articles, photos, and some wonderful advertisements.  Here are some highlights:

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“Easter in Provence” celebrated apparently with cycling events. The photo in the upper right corner features a tandem pulling a trailer!

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Photos from a 1956 cycling event in Maconnaise. The clothing worn by the cyclists looks comfortable and not too “bikey”.

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Cyclist Maurice Maitre on the Col de Saint-Louis.

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A Daniel Rebour drawing of a new Campagnolo seatpost (a design which continued unchanged for decades), a new sleek “Comet” headlamp, and an article about something called “Dissoplast” – haven’t figured that out yet.

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Ads for Rene Herse and Mavic, as well as leather saddles and mudflaps.

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Ads for Cycles Goeland, J. Routens, Hutchinson, and the mystery item “Dissoplast” which I now think is glue for flat repairs.

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Amazing Rebour drawings of rear derailleurs. Note the quick releases on the “wrong” side of the drop outs, and the two cable system on the Simplex Juy.

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This ad is amazing – it is very eye catching. The bike featured is a moped with the engine mounted on the front fork. Apparently, these little mopeds were sold all over the world, and the company continues to this day (although under different ownership.)

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No cycling magazine would be complete without technical specs.  This drawing and the related table show various frame dimensions at two different seat tube angles.  I am going to study this awhile and see if I glean any new insight into bicycle frame geometry – a topic which seems to lend itself to both mysticism as well as science.  Since it’s a rainy, windy day here in Portland, it’s a perfect time to curl up and read.