1947 C. Daudon

1947 C. Daudon I have had this 1947 Camille Daudon for a few years now, and have done nothing to it since first acquiring it from the prior owner who had done some of his own restoration work, including re-chroming the Vitus frame.  In fact, the bike is so lovely in its current form, that I am reconsidering my plans to bring it back to its original state by adding period correct hammered fenders, front rack, lighting, and a chain guard, which is what it would have originally been equipped with.  This Daudon was custom made for Irene Faberge Gunst, granddaughter of the famous creator of Faberge eggs, a special birthday gift from her husband.  In 2006, this bike won the award for best French bike at the Cirque du Cyclisme show.  As pictured, it weighs a mere 20 lbs.

The wing nuts were drilled to save weight. Double eyelets in the front, single in the rear. Designed to carry a front load.

The head tube shows a slight loss of lug detail due to re-chroming of the frame. Lam side pull brakes with plenty of clearance for fenders.

650b aluminum box style rims with surface pattern to improve braking.

Pelissier hubs.

Daudon’s customized shifter – everything bespoke on this bicycle. Shifter cable not properly set up – a one piece system is required.

Beautiful Stronglight crankset in very good condition.

Cyclo rear derailleur with wrap around cable.

Gorgeous Ideale Saddle – a bit dry and in need of conditioning.

The color matched crank arms are only still visible on the left side. Threading for all left side components is reverse, including the crank bolt, lock ring and bottom bracket cup.

You can see the slight loss of lug detail mostly on the head tube.

Perfect fork rake – a lovely bend close to the drop outs makes for a nice ride.

Re-chromed stem which is bolted to the steerer tube. All bolts are 8 mm heads.

Unbranded pedals – possibly also crafted by Daudon.

Irene Gunst’s engraved steerer tube cover. Beneath this lies the hidden tool kit.

8 mm nut heads on the seat tube clamp, simple but pretty stays.

Tool kit hidden inside the head tube.

Prior to re-chroming the frame looked like this:

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As you can see, the chrome was seriously compromised.  The prior owner decided that it would be worth it to re-chrome the frame and risk the loss of lug detail, rather than sanding it down and re-painting it.  While disappointing in some ways, I think the overall impact of the new chrome outweighs the downsides.  It’s nice to have these photos which will help me re-create the head badge and logos. There are other examples of Camille Daudon bicycles which can also help.  Jan Heine’s The Golden Age of Handbuilt Bicycles features two Daudons, and the latest Bicycle Quarterly features a Daudon that is somewhat similar to mine. As far as restoration goes, I still need to make the bike mechanically sound and rideable.  The Cyclo derailleur uses a one piece shifter cable, and although I could have soldered a cable to work with this derailleur, I have finally located one that will work for this bike:

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And, I am still in a quandary about whether to make this bike appear as it once did – as a touring bike with fenders, lighting and front rack.  While I contemplate that, here are some of the parts I have put together – aluminum fenders, front rack which bolts to the fenders, and Simplex chain guard.  I still need to source appropriate lights for the front and rear fenders, and a dynamo.

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I welcome your thoughts and ideas about this amazing piece of cycling history.

Le Cycliste Magazine 1956

Le Cycliste 1956

I recently acquired 3 1956 volumes of the monthly French cycling magazine Le Cycliste.  I don’t know much about this publication, only that it was originally founded by Paul de Vivie, aka Velocio, in the late 1800’s.  Velocio himself, an avid cyclist and competitor, was a champion of derailleur gears as well as small wheeled bicycles.  Unfortunately, he died in 1930, but his cycling buddies carried on publishing the magazine for quite some time thereafter.  Much of my awareness of Velocio was originally gleaned from my avid reading of Bicycle Quarterly, Jan Heine’s publication which has on occasion re-published some of Velocio’s articles from those early days of cycling’s history.

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This particular volume is packed with articles, photos, and some wonderful advertisements.  Here are some highlights:

Velocio

“Easter in Provence” celebrated apparently with cycling events. The photo in the upper right corner features a tandem pulling a trailer!

Velocio

Photos from a 1956 cycling event in Maconnaise. The clothing worn by the cyclists looks comfortable and not too “bikey”.

Velocio

Cyclist Maurice Maitre on the Col de Saint-Louis.

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A Daniel Rebour drawing of a new Campagnolo seatpost (a design which continued unchanged for decades), a new sleek “Comet” headlamp, and an article about something called “Dissoplast” – haven’t figured that out yet.

Velocio

Ads for Rene Herse and Mavic, as well as leather saddles and mudflaps.

Velocio

Ads for Cycles Goeland, J. Routens, Hutchinson, and the mystery item “Dissoplast” which I now think is glue for flat repairs.

Velocio

Amazing Rebour drawings of rear derailleurs. Note the quick releases on the “wrong” side of the drop outs, and the two cable system on the Simplex Juy.

Velocio

This ad is amazing – it is very eye catching. The bike featured is a moped with the engine mounted on the front fork. Apparently, these little mopeds were sold all over the world, and the company continues to this day (although under different ownership.)

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No cycling magazine would be complete without technical specs.  This drawing and the related table show various frame dimensions at two different seat tube angles.  I am going to study this awhile and see if I glean any new insight into bicycle frame geometry – a topic which seems to lend itself to both mysticism as well as science.  Since it’s a rainy, windy day here in Portland, it’s a perfect time to curl up and read.

A Peugeot PR 65 Arrives from France

Bluemel's Fenders

When I spotted what looked like a complete and all original 1978 Peugeot PR 65 on Ebay, I was thrilled.  Even though the bike would have to be shipped from France, I had purchased bikes from the seller before, so I wasn’t worried about its journey across the Atlantic.

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However, when this package arrived, looking like a giant turtle, it was with some trepidation that I began the process of opening its contents.

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The amount of labor involved in packing the bike was probably only exceeded by the amount of time it took me to get all the protective wrapping off.  However, even part way through the 1 1/2 hour process, when I finally caught sight of the paint and components, I was pleased.

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The bike came through just fine, thanks to the protective materials used.  I wasn’t sure whether the component group would match the PR65 in this catalog, but as it turned out, all of the parts are original, including the polished Mavic 700c aluminum rims, high flange Normandy hubs (with helpful 1978 date code), Stronglight TS 3 arm crankset (very pretty), and a complete Simplex drive train.  The frame is built with Reynolds 531 7/10 tubing and Nervex lugs.  I believe it is the only Peugeot mixte frame built with Reynolds 531.

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This bike came with a small TA front rack which mounts to the Mafac brakes and the fork crown, as well as lovely Phillipe porteur style bars.  The Phillipe logo is in great condition – its the image of a racer seen from the top, bent over his narrow racing bars.

The seller also installed drop out protectors to help insure that the fork and rear drop outs did not get smashed during shipping.

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Even so, the rear drop outs were slightly misaligned such that it was difficult to install the rear wheel.  A little “wanging” solved that problem.

All these photos were taken before restoration, a process I am now beginning.  In the meantime, this little Peugeot is hanging out in my shop with her sister.

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